Which artists do I like?
Directors
Justine Triet, Celine Sciamma, Eric Rohmer (although I may have outgrown it, a favorite at the age of 21), early Sofia Coppola, Ryusuke Hamaguchi (an attachment that is inexplicable, perhaps has to do with who I had watched his films with rather than he himself), Stanley Kubrick, Spielberg (primarily for Munich). Complicated relationship with Haneke and Bergman. I had wished I enjoyed Joachim Trier's works, alas my sensibilities had prohibited me.
Writers
Marcel Proust, Milan Kundera, Stefan Zweig (his memoir on fin-de-siècle Vienna propelled me to stay in Vienna for an entire summer, and I had almost ventured to visit his home in Salzburg; I found Beware of Pity rather ambivalent and would prefer to write a more thorough book review in the coming days), Pascal, Montaigne, David Hume, Tony Judt, Vassily Grossman, Jonathan Littell.
Composers
Shostakovich (the Fifth Symphony and the Eighth Quartet), Rachmaninov (the Third Piano Concerto, especially Yunchan Lim), and Mahler (the Second, Fifth, and Ninth symphonies; I am easing my way into the Tenth, and Abbado and Bernstein remain exceptional guides). Brahms, too: nearly every symphony under the sun, and the late piano works, especially the various intermezzi. Bach is more difficult to summarize, because he is too large and multi-faceted, but the choral and organ works, especially the St. Matthew Passion and St. John Passion, are among my favorites. Then there are the many composers who arranged his works, Bach-Busoni on the piano, Bach-Rachmaninov, and an endless list of surprises. There is even a contrabass transcription of the Chaconne out there.
Schmidt's Fourth Symphony, composed after the death of his daughter in childbirth, is heartbreaking. Chopin's Fourth Ballade, then the First, and I do think his piano concertos are among his weaker works. Liszt's Transcendental Etudes, with Argerich exceptional here as always, and the Liszt-WagnerLiebestod transcription, one of my favorites; I heard Kantorow play it, exceptionally, as an encore after a recital. Schumann; Schubert's Ständchen and many of his other lieder; Tchaikovsky's Sixth, which I heard Nézet-Séguin conduct live and which moved me to tears; Sibelius, especially Hilary Hahn's interpretation of the violin concerto; and Edward Elgar, above all Jacqueline du Pré's interpretation of the Cello Concerto and the variations.


Events Catalogue
Every ticketed event I have attended and recorded.